**Hexagram 36** Ming I / Darkening of the light ![36.svg](https://images.hive.blog/DQmZEJ81bhzzn2bmARrPQLZtHCGKo2zeVm89m2FDS6zYPYf/36.svg) Above Trigram: K'UN - THE RECEPTIVE, EARTH Below Trigram: LI - THE CLINGING, FIRE Here the sun has sunk under the earth and is therefore darkened. The name of the hexagram means literally "wounding of the bright"; hence the individual lines contain frequent references to wounding. The situation is the exact opposite of that in the foregoing hexagram. In the latter a wise man at the head of affairs has able helpers, and in company with them makes progress; here a man of dark nature is in a position of authority and brings harm to the wise and able man. **THE JUDGMENT** DARKENING OF THE LIGHT. In adversity it furthers one to be persevering. One must not unresistingly let himself be swept along by unfavorable circumstances, nor permit his steadfastness to be shaken. He can avoid this by maintaining his inner light, while remaining outwardly yielding and tractable. With this attitude he can overcome even the greatest adversities. In some situations indeed a man must hide his light, in order to make his will prevail in spite of difficulties in his immediate environment. Perseverance must dwell in inmost consciousness and should not be discernible from without. Only thus is a man able to maintain his will in the face of difficulties. **THE IMAGE** *The light has sunk into the earth:* *The image of DARKENING OF THE LIGHT.* *Thus does the superior man live with the great mass:* *He veils his light, yet still shines.* In a time of darkness it is essential to be cautious and reserved. One should not needlessly awaken overwhelming enmity by inconsiderate behavior. In such times one ought not to fall in with the practices of others; neither should one drag them censoriously into the light. In social intercourse one should not try to be all-knowing. One should let many things pass, without being duped. **THE LINES** I got a "changing yang" or nine for the first and the third line. These changing lines have additional interpretations as well as creating an entirely new hexagram. Nine at the beginning means: *Darkening of the light during flight.* *He lowers his wings.* *The superior man does not eat for three days* *On his wanderings.* *But he has somewhere to go.* *The host has occasion to gossip about him.* With grandiose resolve a man endeavors to soar above all obstacles, but thus encounters a hostile fate. He retreats and evades the issue. The time is difficult. Without rest, he must hurry along, with no permanent abiding place. If he does not want to make compromises within himself, but insists on remaining true to his principles, he suffers deprivation. Neverthless he has a fixed goal to strive for even though the people with whom he lives do not understand him and speak ill of him. Nine in the third place means: *Darkening of the light during the hunt in the south.* *Their great leader is captured.* *One must not expect perseverance too soon.* It seems as if chance were at work. While the strong, loyal man is striving eagerly and in good faith to create order, he meets the ringleader of the disorder, as if by accident, and seizes him. Thus victory is achieved. But in abolishing abuses one must not be too hasty. This would turn out badly because the abuses have been in existence so long. =========================================== The two changing lines transforms the above Hexagram into Hexagram #2: ** K'un / The Receptive** ![02.svg](https://images.hive.blog/DQmWT5XzyribAJqDTqoW6iBC9hv9Ne9xdGZsQQFDbRhqMP3/02.svg) above trigram: K'UN THE RECEPTIVE, EARTH below trigram: K'UN THE RECEPTIVE, EARTH This hexagram is made up of broken lines only. The broken lines represents the dark, yielding, receptive primal power of yin. The attribute of the hexagram is devotion; its image is the earth. It is the perfect complement of THE CREATIVE--the complement, not the opposite, for the Receptive does not combat the Creative but completes it . It represents nature in contrast to spirit, earth in contrast to heaven, space as against time, the female-maternal as against the male-paternal. However, as applied to human affairs, the principle of this complementary relationship is found not only in the relation between man and woman, but also in that between prince and minister and between father and son. Indeed, even in the individual this duality appears in the coexistence of the spiritual world and the world of the senses. But strictly speaking there is no real dualism here, because there is a clearly defined hierarchic relationship between the two principles. In itself of course the Receptive is just as important as the Creative, but the attribute of devotion defines the place occupied by this primal power in relation to the Creative. For the Receptive must be activated and led by the Creative; then it is productive of good. Only when it abandons this position and tries to stand as an equal side by side with the Creative, does it become evil. The result then is opposition to and struggle against the Creative, which is productive of evil to both. **THE JUDGMENT** *THE RECEPTIVE brings about sublime success,* *Furthering through the perseverance of a mare.* *If the superior man undertakes something and tries to lead,* *He goes astray;* *But if he follows, he finds guidance.* *It is favorable to find friends in the west and south,* *To forego friends in the east and north.* *Quiet perseverance brings good fortune.* The four fundamental aspects of the Creative--"sublime success, furthering through perseverance"--are also attributed to the Receptive. Here, however, the perseverance is more closely defined: it is that of a mare. The Receptive connotes spatial reality in contrast to the spiritual potentiality of the Creative. The potential becomes real and the spiritual becomes spatial through a specifically qualifying definition. Thus the qualification, "of a mare," is here added to the idea of perseverance. The horse belongs to earth just as the dragon belongs to heaven. Its tireless roaming over the plains is taken as a symbol of the vast expanse of the earth. This is the symbol chosen because the mare combines the strength and swiftness of the horse with the gentleness and devotion of the cow. Only because nature in its myriad forms corresponds with the myriad impulses of the Creative can it make these impulses real. Nature's richness lies in its power to nourish all living things; its greatness lies in its power to give then beauty and splendor. Thus it prospers all that lives. It is the Creative that begets things, but they are brought to birth by the Receptive. Applied to human affairs, therefore, what the hexagram indicated is action in conformity with the situation. The person in questions not in an independent position, but is acting as an assistant. This means that he must achieve something. It is not his task to try to lead--that would only make him lose the way-but to let himself be led. If he knows how to meet fate with an attitude of acceptance, he is sure to find the right guidance. The superior man lets himself be guided; he does not go ahead blindly, but learns from the situation what is demanded of him and then follows this intimation from fate. Since there is something to be accomplished, we need friends and helpers in the hour of toil and effort, once the ideas to be realized are firmly set. The time of toil and effort is indicated by the west and south, for west and south symbolize the place where the Receptive works for the Creative, as nature does in summer and autumn. If in that situation one does not mobilize all one's powers, the work to be accomplished will not be done. Hence to find friends there means to find guidance. But in addition to the time of toil and effort, there is also a time of planning, and for this we need this solitude. The east symbolized the place where a man receives orders from his master, and the north the place where he reports on what he has done. At that time he must be alone and objective. In this sacred hour he must do without companions. So that the purity of the moment may not be spoiled by fictional hates and favoritism. **THE IMAGE** *The earth's condition is receptive devotion.* *Thus the superior man who has breadth of character* *Carries the outer world.* Just as there is only one heaven, so too there is only one earth. In the hexagram of heaven the doubling of the trigram implies duration in time, but in the hexagram of earth the doubling connotes the solidity and extension in space by virtue of which the earth is able to carry and preserve all things that live and move upon it. The earth in its devotion carries all things, good and evil,, without exception. In the same way the superior man gives to his character breadth, purity, and sustaining power, so that he is able both to support and to bear with people and things. ----------------------------------------------------- I use the *"Method of Sixteen"* to draw the Hexagram.
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