Kodak Aerochrome Film Reborn? A Review of the 550nm Infrared Filter

When Ilija, owner of Kolari Vision, emailed me regarding his introduction of the 550nm infrared filter this past winter and shared some of the initial images taken with it, I was intrigued. I had used various models of Nikon DSLRs converted for infrared photography since 2007, relying primarily on the 720nm filter. Over the years, however, I slowly began to develop an appreciation for those filters affording more faux colors. In April, I took the leap and had Ilija convert my Nikon D750. What follows are my thoughts regarding the new 550nm filter, a description of post-processing techniques and settings, and examples of the results.

When Ilija, owner of Kolari Vision, emailed me regarding his introduction of the 550nm infrared filter this past winter and shared some of the initial images taken with it, I was intrigued. I had used various models of Nikon DSLRs converted for infrared photography since 2007, relying primarily on the 720nm filter. Over the years, however, I slowly began to develop an appreciation for those filters affording more faux colors. In April, I took the leap and had Ilija convert my Nikon D750. What follows are my thoughts regarding the new 550nm filter, a description of post-processing techniques and settings, and examples of the results.